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- <text id=93TT1909>
- <title>
- June 21, 1993: Out of the Shadows at Last
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jun. 21, 1993 Sex for Sale
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- SHOW BUSINESS, Page 65
- Out of the Shadows at Last
- </hdr>
- <body>
- <p> "I never thought I could fill Tina Turner's shoes, not in a
- lifetime," says Angela Bassett of her knockout performance as
- the rock superstar. For Turner, however, it was just a matter
- of the right shoes. When she saw one of Bassett's outfits, Turner
- went shopping and bought her two pairs of zebra-striped high
- heels. For another scene, she literally gave Bassett the shirt
- off her...But let Bassett tell it: "When I did I Might Have
- Been Queen, I was wearing a little peach-colored T shirt. Tina
- said, `Oh, that's so old-fashioned,' and took off her white
- linen Armani shirt and said I could wear it. She was that concerned
- for me."
- </p>
- <p> The passion for detail paid off. Bassett's impersonation of
- Turner is the kind of star-making turn that every actress dreams
- of--and practically every black actress in Hollywood wanted.
- Halle Berry and Robin Givens were among the finalists for the
- role that went to Bassett, best known previously for Spike Lee's
- Malcolm X, in which she played Betty Shabazz, wife of the Black
- Muslim leader.
- </p>
- <p> A native of St. Petersberg, Florida, Bassett, 34, went to Yale
- Drama School and spent most of her first professional decade
- shuttling unnoticed between Broadway (Ma Rainey's Black Bottom),
- television (Tour of Duty) and movies (John Sayles' City of Hope).
- The roles grew meatier--she played the mother of a troubled
- ghetto youth in Boyz 'N the Hood and Michael Jackson's mom in
- abc's The Jacksons: An American Dream--but she still labored
- in the shadows until Tina thrust her onto center stage.
- </p>
- <p> The audition process for the grueling part stretched out over
- a month. "They gave you six songs," she recalls, "including
- performing Proud Mary top to bottom. They gave you four or five
- scenes--young Tina, '60s Tina, '70s Tina, dragged-down-the-hall-and-get-a-fractured-left-hand
- Tina. It was rough." So was the filming. Bassett really did
- fracture her hand, and she had to soak her feet in ice after
- two 17-hour days of shooting the Proud Mary number in 3-in.
- heels. The only sour note for some is that Bassett's final number
- was replaced by footage of the real Turner. Bassett does not
- complain. "People want me to feel badly about that, and I don't.
- If ((the filmmakers)) want to honor her in that way at the end
- of the movie, and if the audiences appreciate seeing her that
- way, then let them have it. It doesn't discredit my work and
- the joy that I brought to this role."
- </p>
- <p> By Richard Zoglin. Reported by Jeffrey Ressner/Los Angeles
- </p>
-
- </body>
- </article>
- </text>
-
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